passionately | exploring | dyeing | silk
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I’m a terrible blogger

There, it’s out. I was great at blogging regularly … a long time ago. Remember Tribe? Apparently, it still exists, but like many regulars back in the day, we got tired of getting jerked around and hightailed it out of there to find more functional pastures.

Then Facebook happened. Need I say more? Everybody’s on Facebook; your grandmother’s on FB, I bet. I spend a lot of time in solitary working at my craft, but a world of like-minded company is at my fingertips there whenever I need just a little reminder that the world hasn’t stopped. Facebook has been wonderful for me to connect with others from far and wide with similar creative afflictions. The quick and dirty status update is just the right kind of micro-blogging for me. At a quick glance, I can see what everybody in my new tribe has been up to. Neat. I didn’t know there were some many of you!

So what the heck have I been up to? Well, it’s the busy belly dance season, don’t you know. I think most of you know that I also have a day job. I wish I had a clone, but … I don’t. I think we all wish we had one, so I don’t feel special. It just is. I could cut down on sleep, but … no; that’s not for me.

I have been distracting myself once in a while. Distraction more often than not still involves more dye, but the end result doesn’t have to be a veil.

It may involve trying to find the perfect black gutta. Gutta that will wash out easily — I can’t stand the look or feel of gutta that’s been left onto silk –, yet leave a neat black dyed line after it’s set and washed. A quick dooddle on a scrap of silk might look like this :

Presist and Remazol black dye

I know what you’re thinking. Eeeww; what the heck is that?! It’s my first attempt at black gutta, so please forgive my lack of elegant technique. It’s not so bad when you throw in a little colour.

Black dyed Presist with Remazol dyes

Yes, I know it’s bleeding through in a few places. Disastrous if it’s a good piece, but not so much if the intent was purely experimental. I managed to cover most of it up with the next colours, and the border (no pictures of that, sorry) is black which hides an infinity of sins.

Black dyed Presist and Remazol dyes

Pretty cool, if somewhat demented. I think I like it!

Anybody remember the veil from one post down, Am I Blue ? I’ve been hacking it up to pieces, all with the intention of preserving it. The back story on that is that there are parts of this veil that deserve to be presented as art. A piece of fabric can be magnificent, but chances are its reception in the art world wouldn’t be a success. You need to frame it — not just physically — but also put it into the standard gallery context. That means mounting it somehow.

My first attempt : gallery canvas pre-made frame, padded with cotton batting, silk wrapped around the lot.  Undecided on the results.

Padded framed silk

Is that an ugly light switch or what? I left it in there for effect : The Beauty & The Beast. Not a great picture, but if I spent my time taking the best picture I could, I wouldn’t have time to blog right now.

Experiment 2 : Dorland’s wax medium. I got my hands on a small jar of this a couple of weeks ago and have been itching to spread it on something. First, mounted the silk directly onto canvas board with iron-on fusible. You have no idea how this stuff simplifies the process! (I’m going to document this process properly someday; promise) I just wish my silk had been a bit thicker, or my fusible a lot lighter because it melted right through the surface. Praise be, Teflon pressing sheets, or else I might not have been able to peel it off the iron. Here it is, in process, silk fused to thin canvasboard, one coat of Dorland’s brushed on lightly with a soft brush. I already like it. The silk gets darker and the details more apparent, just like when it is still wet.

Silk fused to canvas board, one coat of Dorland's

I can work with that. Adding another coat of wax, melting it in smooth and dropping it into the recessed frame just to see what it might look like finished made me happy. When it’s cured — whenever that is — I’m going to buff it with a soft cloth to a satiny finish.

Second coat of wax, dropped in frame

Yum, yum; yes, I’m liking it indeed. More bits of silk and framing experiments to come.

6 comments

1 Halyma { 03.28.10 at 6:59 AM }

Wow – I love the framing of the pieces – you are an inspiration dahling!
and the gutta piece reminds me of some native art – with the dark outline around the colours… very nice!

2 roxane { 03.28.10 at 7:06 AM }

I like all this… and funny that you should be “starting” this painting for art’s sake, rather than the veil production now… I have heard the call of painting on silk after many years of having left it behind. I just re-equipped myself, along with Rain, to be able to try my hand at it again. I enjoyd it a lot many years ago and i am very excited about doing it again.

I like your big blue one. It looks ok on the big frame. But the small one, although this is only a picture, really does spring out at you. Using a product that makes the silk look wet again without fogging it when it dries is the key here, i think. The overall design of the big one is rather spell-binding. It has an organic quality about it that mesmerizes. Thank you for sharing this with us!

3 Lisa-Marie { 03.28.10 at 10:42 PM }

Your art is a living, breathing thing. I love the gutta. It reminds me of Inuit and Native art.
Both Sophie and I had our “Dar Veils” at The Tent this weekend and they were coveted by many.

4 glennis { 04.24.10 at 11:14 PM }

yeah- i hear you on the blogging thing. FB has definitely taken away some of the desire/need to blog as frequently. i still do it but just not as often. doing the more production stuff is good but the desire to just create for its own sake never leaves me. love that blue and the depth of that piece.

5 Ann { 04.20.11 at 12:06 PM }

Hi Darlene –

Glennis just connected us via FB – am loving what I see in the pics on your blog! One quick question – what kind of black gutta are you using? And what kind of dyes do you use?

Looking forward to being silk friends! Ann

PS – are you planning to go to SDA in Minneapolis?

6 Darlene { 04.21.11 at 12:11 PM }

Hi Ann,

I’ve seen your website and your beautiful silks!

I made this a while ago and I never take notes, but I think this gutta was a mix of Presist and the Jacquard liquid reactive black. It did wash out very easily, but the outline was hit and miss after steaming : some parts remained black, while some of it washed out to pure white and some just left a black halo at the edge of the white line.

I use Procion MX and Liquid Reactives with acid instead of SA most of the time and the French H. Dupont, or Jacquard Acid dyes depending on my whim. I like to mix them on the same piece and see what happens.

I haven’t been to any of the SDA conferences yet. I’m waiting for it to land somewhere in the northeast.

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